A lot of the musical ideas started with guitar, or guitar and bass, or guitar bass and drums. On this record, Trenton, the lead singer, he actually did a lot more of the lyrics writing, and a lot more of the melody than he did on the first one.
So, again, walking about of this illusion of an acoustic guitar is going to sound so great during a show, and the reality is that most of the time, an acoustic guitar live just sounds like a shaker.Īs far as songwriting, what’s the dynamic in the band?Įverybody writes their own parts and has final say, but we work on things organically. In the new record, it’s reflected a lot because it’s a lot easier to get an electric guitar to sound really good at a live show than it is to get an acoustic guitar to sound really good at a live show, or a banjo, and especially if you’ve got drums going. Then a lot of it’s born out of frustration, too. And then also being a big fan of instrumental music.
I spent a lot of times playing in instrumental bands or bands that didn’t have a lot of vocals, so with this project, I’ve always had a focus on lots of harmonies, lots of vocals. I think the sounds just comes from things that we gravitate toward. Really light drums on one song and really heavy drums on the next, or even within songs. I kind of like to think of it as ADD music because because we don’t really have the same sound from song to song. It’s a mix between stuff that we like, stuff that we actually can do, and also our own ADD. Tell me about how you’ve developed your sound. We think we’re a better band now, so we’re able to record a higher quality, fidelity-wise. And the music is just more electric than the first record. A lot of lyrics tie into that idea, whether it’s dealing with life and death and the reality of it, versus mythology or dreams, or fancy false notions. I guess the best way to do that is to think about it in terms of moving out of the dream and into reality, that process of awakening and acceptance. The record is mostly about illusion and false ideas about reality, so it’s the process of moving from the shadow shows to reality. It’s part of a larger progression that we’re working on. We’ve actually already started working on the third record, trying to get the songs written and come up with some stuff. It’s going to be good for us to move forward creatively.
We’ve been working on Shadow Shows for a long time and we’re so excited that it’s coming out, and that people can get it. So, I’ve adopted that as the way I explain that I explain the band name - like Serenity, without all the messy bits at the end that nobody like anyway. That’s how you say our band name and that’s what it’s about.” We’ve been a band for five years and no one ever put that together.
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I talked on the phone with guitarist Nathan James Allen about the new record, finding community in a new city, and deciding on how to pronounce the band’s name – It’s Ser-IN.Īllen: You know, I never had a preference, and then about a year ago, Aaron and I were at a show in Dallas and this British clarinetist came up to us, and we were talking, and he said, “Oh, Seryn, like serenity without all the messy bits at the end that nobody like anyway.” I was like “Yes. In the years in between, they’ve made a few lineup changes, and moved to my hometown – Nashville. Happily, they’re back this year with a new album called Shadow Shows, out Feb. Back in 2011, a band from Denton, Texas landed on my radar with a huge, heart-swelling song called “We Will All Be Changed.” I stuck this band, Seryn, on my Top 10 Finds of 2011 list and wished them the best.
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